The NEFERTITI Affect / Effect; Umbutu Ma’at EXPERIENCE Directions

Diasporic Soundscapes / Genre

Diasporic Soundscapes / Genre

Artifact: Paid in Full (Seven Minutes of Madness Remix Intro)

Opens the journey. Establishes Diasporic sonic identity and prepares viewers for interpretation rather than consumption.

Diasporic Heritage / Identity

Diasporic Heritage / Identity

Artifact: My Hair Is My Heritage (Jessie B)

Establishes lineage, continuity, cultural inheritance, and Diasporic memory through visual expressions of identity.

Diasporic Recognition / Belonging

Diasporic Recognition / Belonging

Artifact: Sanyia Hallway Reel

Demonstrates immediate cultural recognition, belonging, and shared understanding through unspoken visual communication.

Diasporic Access / Opportunity

Diasporic Access / Opportunity

Artifact: Research Access and Opportunity at a Predominantly White Institution

Examines access to knowledge production, research participation, and institutional pathways often unavailable to marginalized communities.

Black Excellence / Visibility

Black Excellence / Visibility

Artifact: Frederick McKinley Jones

Highlights innovation, achievement, and the politics of recognition within historical narratives.

Black Intellectual Labor / Appropriation

Black Intellectual Labor / Appropriation

Artifact: Freedom House Ambulance Service

Demonstrates how Black innovation becomes foundational while attribution and historical recognition become obscured.

Black Political Refusal / Structural Opposition

Black Political Refusal / Structural Opposition

Artifact: Captain Paul Cuffe

Centers resistance, citizenship, taxation, and opposition to inequitable systems of governance.

Black Techno-Vernacular / Social Semiotic Language

Black Techno-Vernacular / Social Semiotic Language

Artifact: Crazy A$$ Racists FAFO. Caught. Confronted. Crushed.

Demonstrates language as cultural knowledge, identity formation, and Diasporic meaning-making.

Commodification / Cultural Extraction

Commodification / Cultural Extraction

Artifact: I’ll Call Your Mama Trend

Examines how Black-created cultural forms circulate beyond their originating communities while often becoming detached from their cultural roots.

Diasporic Erasure / Metaphor

Diasporic Erasure / Metaphor

Artifact: Computer World

Uses overlapping voices as a metaphor for obscured contributions, historical displacement, and Diasporic erasure.

Black Communal Joy / Recontextualization

Black Communal Joy / Recontextualization

Artifact: End-of-School-Year Teacher Celebration

Reclaims collective celebration as a meaningful expression of achievement, community, and cultural affirmation.

Diasporic Joy / Implicit Meanings

Diasporic Joy / Implicit Meanings

Artifact: Ladies Night Classroom Dance

Demonstrates how joy, affirmation, belonging, and shared cultural understanding are communicated without explicit explanation.

Voice and Visibility / Recognition

Voice and Visibility / Recognition

Artifact: The Sound of Silence

Synthesizes the journey through voice, silence, recognition, recovery, and visibility by asking who is heard, who is unseen, and how recognition is produced.

Original DIASPORIC Frameworks Abscence-in-Presence and Presence-in-Abscence

Original Methodlogical Frameworks Presence in absence Hargett 2024a
Original Methodlogical Frameworks Abscence-in-Presence Hargett 2024b

References

American Experience PBS. (n.d.). Captain Paul Cuffe’s historic battle against taxation [Instagram reel].

Ball, T. (n.d.). The sound of silence [Music video].

FBA Legacy. (n.d.). Freedom House Ambulance Service [Facebook video].

Gates, H. L., Jr. (2013). The signifying monkey: A theory of African American literary criticism (25th anniversary ed.). Oxford University Press.

Guthrie, B. (n.d.). End-of-school-year teacher celebration [Instagram reel].

Hall, S. (1990). Cultural identity and diaspora. In J. Rutherford (Ed.), Identity: Community, culture, difference (pp. 222–237). Lawrence & Wishart.

Hargett, M. E. (2025). The Nefertiti Effect: A framework for Diasporic recognition, visibility, and historical recovery [Unpublished manuscript].

hooks, b. (1992). Black looks: Race and representation. South End Press.

Jessie B. (n.d.). My hair is my heritage (BAP SUNRAE mix) [Music video].

Kids & Company. (n.d.). Ladies Night classroom dance [Facebook reel].

Kraftwerk. (1981). Computer World [Music video].

Rakim, & Eric B. (1987). Paid in full (Seven minutes of madness remix) [Music recording].

Rolan Marin Unfiltered. (n.d.). Crazy A$$ Racists FAFO. Caught. Confronted. Crushed. [YouTube video].

Sanyia. (n.d.). Hallway recognition and belonging [TikTok video].

stuckonaneyelnd. (n.d.). Research access and opportunity in academic spaces [Instagram reel].

That Teacher Ms. Pinckney. (n.d.). I’ll call your mama [Social media audio trend].

TheWhiteGeorge. (n.d.). Frederick McKinley Jones and Black excellence [Social media video].

White, B. W. (1970). Internal colonialism and ghetto revolt. Social Science Quarterly, 51(1), 1–9.